Ironically, the first thing we read is Kingston's mother's warning Kingston, "You must not tell anyone. In China your father had a sister who killed herself.
In China your father had a sister who killed herself. She jumped into the family well. We say that your father has all brothers because it is as if she had never been born. For example, here in "No Name Woman," Kingston says of her mother, who, we later learn, is named Brave Orchid, "Whenever she had to warn us about life, my mother told stories that ran like this one [about No Name Woman], a story to grow up on.
She tested our strength to establish realities. Because of this realistic-magical aspect, a talk-story can be as confusing to its audience — Kingston and her readers — as it can be inspiring. Shunned by her family, the aunt gave birth in a pigsty, alone.
Due to failing crops and a poor domestic economy, many of the men from the ancestral village in China were forced to leave their farms to seek work, traveling as far as America, which the Chinese nicknamed "Gold Mountain" because the original Chinese immigrants initially perceived it as a bountiful land where a good living could be made working in the gold-mining industry.
Brave Orchid explains to her daughter about the aunt, "Now that you have started to menstruate, what happened to her could happen to you. The villagers are watchful.
Kingston notes of her mother, "Whenever she had to warn us about life, my mother told stories that ran like this one, a story to grow up on.
Kingston knows that her mother is concerned that she not have premarital sex because her mother directly states that that is the reason for telling the story.
In "No Name Woman," Kingston writes, "Those of us in the first American generations have had to figure out how the invisible world the emigrants built around our childhood fits into solid America.
How to reconcile this conflict between these two disparate cultures becomes her thesis, the problem she attempts — and ultimately succeeds — to solve. What is Chinese tradition and what is the movies?
The larger issue, then, becomes how Kingston will integrate such talk-stories into her own personal life as she grows from childhood to womanhood, and just how relevant these tales of life in China are to a first-generation Chinese American with Chinese-born parents.
To her American sensibilities, the stories are confusing because they are based on a Chinese context. She learns to talk-story by having listened to her mother.
In this way, a continuity is established between her mother, who represents the cultural traditions of China, and herself as a first-generation Chinese American. Kingston will finally acknowledge this succession of generations when, at the end of "Shaman," she compares herself favorably to her mother and proudly recognizes their many similarities: I am practically a first daughter of a first daughter.
This inability emphasizes what Kingston argues is the great disparity between how women and men were supposed to act: Some man had commanded her to lie with him and be his secret evil.
She obeyed him; she always did as she was told. Kingston also exposes the unfair discrimination against women in traditional Chinese society when she discusses how sons are celebrated more than daughters.
This prized circularity was so enmeshed in everyday life — symbolically, in "the round moon cakes and round doorways, the round tables of graduated sizes that fit one roundness inside another, round windows and rice bowls" — that the slightest ripple, the tiniest threat, to social stability was believed by the villagers to be an outright attack on an entire way of life and therefore must be completely annihilated.
No Name Woman is attacked because her action — adultery, confirmed by pregnancy — threatens socially accepted behavior tacitly enforced through centuries of tradition. Adultery, perhaps only a mistake during the good times, became a crime when the village needed food.
Kingston speculates further that her aunt may have taken some pride in her personal appearance and expressed her individuality. Any such display would have been a contravention to the established proper conduct in which young men and women learned to "efface their sexual color and present plain miens.
And sure enough she cursed the year, the family, the village, and herself. Kingston wants to believe that her aunt had at least some positive control of her own destination rather than being merely a victim.
In this less feasible scenario that Kingston feels it necessary to create, her aunt is more than just a victim who is married to a stranger, estranged immediately, raped, then ostracized by her family and community, and finally left with no choice but to commit suicide.
The confusion and ambivalence she feels as the author, who was once the listener, parallel ours. Her mother talked-story orally; she talks-story in print.
Brave Orchid may have believed that the story would prevent her daughter from having sexual relations outside marriage and thereby bringing shame upon the family, but the daughter interprets the story according to values she can relate to, namely individualism and a strong, nurturing sense of womanhood.
One of the ways that this individualism and womanhood are defined is through language, or, at least for No Name Woman, the lack of it. Overall in the memoir, there is a movement from silence in the first line of the first chapter — "You must not tell anyone" — to language in the last line of the last chapter — "It translated well.
However, she is very aware of the emotional risks she is taking by asserting her independence from her own Chinese community. If she remains silent and fails to find her own personal voice, she risks becoming a "substitute" for her aunt, who remained silent her entire life.
For example, describing how her aunt "combed individuality" into her hair, Kingston imagines that first she "brushed her hair back from her forehead," then "looped a piece of thread, knotted into a circle between her index fingers and thumbs," around any loose hairs across her front hairline, and finally "pulled the thread away from her skin, ripping the hairs out neatly.Download thesis statement on No Name Woman in our database or order an original thesis paper that will be written by one of our staff writers and delivered according to the deadline.
A summary of Chapter One: No Name Woman in Maxine Hong Kingston's The Woman Warrior. Learn exactly what happened in this chapter, scene, or section of The Woman Warrior and what it means.
Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. Nov 17, · So I have to write an essay about ethical decisions of life and death in Miller's “Death of a Salesman” Maxine Hong Kingston's "No Name Woman" and Salman Rushdie's "Imagine There is No Heaven." I need a really good thesis but I am horrible with coming up with some that work.
Any ideas would really pfmlures.com: Resolved. In "No Name Woman", Maxine Hong Kingston explores how the oppression of women in traditional Chinese culture lead to their isolation and demise. Thesis Statement Beau Rideout and Brian Yeung. Topics. has been speculated thesis no name women about.
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Maxine Hong Kingston's No Name Woman Essay examples. Thesis & Summary: ‘No Name Woman’ by Maxine Hong Kingston The submissive role of women in the society and being declared as an outcast for adultery in the Chinese society is the main theme of the article. ‘No Name Woman’ describes the gender conflict present in China during the.